Daft Punk
Do It Faster, Makes Us stronger
More Than Ever, Hour After
Our Work Is Never Over
Albums: Homework, Discovery, Human After All
Genre: Dance, Electronic
MySpace: http://www.myspace.com/daftpunk
Posted by
Steel Lord
at
1:58 PM
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Labels: Dance, Electronic
Dans un univers
Où l'homme n'a guère
Le droit de citation
Vivent des guerrières
Artist: Sortilège
Album: Métamorphose
Genre: Heavy Metal
Do you like leather and metal? Then you'll love Sortilège. They're pretty much a French version of Judas Priest, and as bad as that sounds (FRENCH?!?!?), this band completely redeems that poor country. With Christian Augustin on vocals (entirely in French) that can pierce as high as Halford himself and guitar work that shows great prowess, these guys are ballsy old-school heavy metal. All Judas Priest fans must get this band. Even the French Power Metal band Manigance (who I laud as one of the best Power Metal acts around) hail this band, and have performed a cover of the Sortilège song "Messager". Unfortunately, I can't get my hands on the CD with Messager, Larmes De Héros, so you'll have to do with Métamorphose for now.
Tracklist:
1. D'ailleurs - (2:32)
2. Majesté - (4:53)
3. Hymne à la Mort - (5:30)
4. Légende - (2:45)
5. Nuit des Limbes - (2:25)
6. Civilisation Perdue - (2:12)
7. Délire d'un Fou - (5:25)
8. Cyclope de l'Etang - (3:58)
9. Métamorphose - (4:38)
Download
Posted by
Reverend Richter
at
10:10 PM
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Labels: Heavy Metal
So here it is again, another def jam
Yo! Bum Rush the Show was an invigorating record, but it looks like child's play compared to its monumental sequel, It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do. That's not to say the album is without precedent, since what's particularly ingenious about the album is how it reconfigures things that came before into a startling, fresh, modern sound. Public Enemy used the template Run-D.M.C. created of a rap crew as a rock band, then brought in elements of free jazz, hard funk, even musique concrète, via their producing team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before. This coincided with a breakthrough in Chuck D's writing, both in his themes and lyrics. It's not that Chuck D was smarter or more ambitious than his contemporaries — certainly, KRS-One tackled many similar sociopolitical tracts, while Rakim had a greater flow — but he marshaled considerable revolutionary force, clear vision, and a boundless vocabulary to create galvanizing, logical arguments that were undeniable in their strength. They only gained strength from Flavor Flav's frenzied jokes, which provided a needed contrast. What's amazing is how the words and music become intertwined, gaining strength from each other. Though this music is certainly a representation of its time, it hasn't dated at all. It set a standard that few could touch then, and even fewer have attempted to meet since.--Stephen Thomas Erlewine
Posted by
Steel Lord
at
6:49 AM
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Labels: Hip-Hop
Mathangi "Maya" Arulpragasam (born July 17, 1978) is a British vocalist, record producer, songwriter/composer and visual artist. She is a Tamilian of Sri Lankan origin. Best known by her stage name, M.I.A., her work in music often features a range of elements of genres.
An accomplished visual artist by 2002, M.I.A. came to prominence in early 2004 through file-sharing of her singles "Galang" and "Sunshowers" on the Internet. In 2005, her debut album, Arular, was nominated for the Mercury Prize. Her second album, Kala, was released in 2007.
'Arular' is probably the stronger album, or at least seems so at first, as it has more outstanding tracks ('Pull Up the People', 'Bucky Done Gun' & 'Galang'), but 'Kala' is solid too, and has M.I.A.'s best song, 'Paper Planes'.
Arular
Kala
Password: carlitosseville
EDIT: M.I.A.'s first work was a mixtape with Diplo, which I've spent all morning finding the download for. Not heard it yet, but I've heard good things. Apparantly it's wonderful in a rough-around-the-edges way. (Download is a mediafire download)
Piracy Funds Terrorism Vol. 1
Posted by
at
7:38 AM
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Labels: Dancehall, Electronic
First released in November 2007, Alive is Daft Punk's second live album. The material is taken from their concert in Paris on June 14th 2007, and was critically lauded for its mixing of multiple Daft Punk classics into new songs.
Track List:
"Robot Rock" / "Oh Yeah" - 6:28
"Touch It" / "Technologic" - 5:30
"Television Rules the Nation" / "Crescendolls" - 4:51
"Too Long" / "Steam Machine" - 7:02
"Around the World" / "Harder, Better, Faster, Stronger" - 5:43
"Burnin'" / "Too Long" - 7:12
"Face to Face" / "Short Circuit" - 4:55
"One More Time" / "Aerodynamic" - 6:11
"Aerodynamic Beats" / "Forget About the World" - 3:32
"The Prime Time of Your Life" / "The Brainwasher" / "Rollin' & Scratchin'" / "Alive" - 10:22
"Da Funk" / "Daftendirekt" - 6:37
"Superheroes" / "Human After All" / "Rock'n Roll" - 5:41
Posted by
at
1:07 PM
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Labels: Dance, Electronic
The Residents are an avant-garde music and visual arts collective who have created over sixty albums, created numerous musical short films, designed three CD-ROM projects, ten DVD's, and undertaken six major world tours. Throughout their career, spanning nearly four decades, they have maintained complete anonymity. All public relations, interviews and promotions are handled by their spokesgroup, The Cryptic Corporation.
[Title is a link to the full wiki article...]
Now The Residents explained as Lolicat sees them? The most fucked up, disturbing bunch of fuckers to ever make music. Their music seems at first annoying, even silly, but the more you listen to it, the further you get dragged into a nightmare world of surreal happenings. The Residents are the real soundtrack to the End.
Tunes of Two Cities: http://www.mediafire.com/?azwzfmsdwax
Animal Lover: http://www.mediafire.com/?13x9xzdj2md
Of the two albums, Animal Lover is the better, as well as being the more disturbing.
Posted by
at
11:57 PM
1 comments
Labels: Avant-Garde
The album is almost entirely a cappella and constructed with human vocals; only few musical instruments are featured: a bass synthesizer on "Who Is It", piano on "Ancestors" and a gong on "Pleasure Is All Mine". However, the vocals are sometimes processed or sampled: for example, the atmospheric haze that dominates "Desired Constellation" was created from a sample of Björk singing the phrase "I'm not sure what to do with it" from "Hidden Place" on her previous album, Vespertine.
The album features beatboxing, choral arrangements and throat singing, as well as guest appearances by such artists as Mike Patton, Robert Wyatt, Tagaq, Rahzel (formerly of The Roots), Shlomo and Dokaka.
All songs were written by Bjork, except the lyrics for "Sonnets/Unrealities XI" which was based on a poem by E. E. Cummings, and the song "Vökuró", originally by Jórunn Viðar.
~Wikipedia article
Posted by
at
11:48 PM
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Labels: A Cappella, Avant-Garde