Posted by
Stormbeard
at
6:07 AM
14
comments
Posted by
Steel Lord
at
4:08 AM
6
comments
Labels: Progressive Metal
http://sharebee.com/5aa689a7
Found this on an otherwise unpromising blog today, a rare self-titled psychedelic album from 1968. If you like the first few Floyd albums (you know, when Barret was around), then you'll love it. Unfortunately the band only produced the one album, as they gathered no hype around them.
Posted by
at
8:14 AM
0
comments
Labels: Psychedelic
Posted by
Steel Lord
at
5:43 AM
0
comments
Labels: Alternative Rock
Posted by
Steel Lord
at
12:40 PM
1 comments
Labels: Progressive Metal, Thrash Metal
Romantic Gorilla sound exactly how their cover art looks on this, their self-titled debut. Not a great fan of thrash or punk, I've got to admit I really enjoy this, which LastFM classifies as a Davey-validating 'powerviolence'. Screw genre though, this is just awesome fun. For fans of Melt Banana, as Romantic Gorilla have about the same attention span.
Click on the album cover for mediafire download.
Posted by
at
1:45 PM
1 comments
Labels: Powerviolence, Thrash Metal
And now the second! Thank you, Davey!
For Lush's first proper full-length, the band opted to work again with Robin Guthrie. Though generally delightful, Spooky suffers from being bottlenecked into a dream-drift haze that isn't as convincing as the ones concocted by the likes of My Bloody Valentine and A.R. Kane. On paper the Guthrie/Lush collaboration seems like a match made in heaven; however, this lacks a punch and balance that begins to frustrate by the latter half. Whatever dynamics Lush appear to be capable of are rendered limp by Guthrie's sonic razing. Saving the record from being buried is a batch of quality songs. Despite its faults, it's more hit than miss. It's easy to criticize the lack of drive, but the drifting nature is rapturous in spots. Regardless, the draftiness is relied upon too often.
The three singles released from the LP ("Nothing Natural," "For Love," and "Superblast!") showcase the aggressive side, if only through a relative nature. As with much of the band's early material, guitars dart and veer all over hell's half acre -- just as you hear a gentle strum in one ear, another guitar whisks by like an overhead jet, only to be grounded to a halt by a swollen jolt from some netherworld. If stripped of its myriad effects, "For Love" would sound like a top-rate Go-Betweens song, filled with lovely jangles and smart songwriting. Closer "Monochrome" is a melancholy ballad whose cousin is Catherine Wheel's "Black Metallic." Beneath all the swooning and swaying, it almost suckers you into missing the cheesy "dum-dum-dum" drum lead-in to the choruses, airlifted out of your least favorite Top 40 schlock ballad circa '86. Those devils!Review Courtesy Of AllMusic.Com
Posted by
Steel Lord
at
9:30 AM
4
comments
Labels: Shoegaze
David has given us shoegaze! Thank you David! Here is the first album!
Though not as big and swirling as Just for a Day, there's more of an attempt to put advanced song structure and melody in place rather than just craft infinitely appealing, occasionally thunderous mood music. Everything is simplified, as if Brian Eno's presence on two songs -- he contributes keyboards and treatments and co-wrote one tune after turning down the band's invitation to produce -- hammered home the better aspects of "ambient" music. This is no Music for Airports though. On the opening "Alison," the largely uplifting "When the Sun Hits," and the darkly blissful "Machine Gun," Slowdive are still capable of mouth-opening, spine-tingling flourishes. They've found a way to be quiet, moving, and aggressive simultaneously, mixing trance-like beauty with the deepest delayed guitar sounds around, a sound at once relaxing, soothing, and exciting, and most of all harshly beautiful.Review Courtesy Of AllMusic.Com
Posted by
Steel Lord
at
9:23 AM
2
comments
Labels: Shoegaze
The album is Demons & Diamonds. I dunno what it is or where it comes from, but it sounds like Power Metal and durry wanted it up.
DOWNLOAD
Posted by
Mad Flows Grishnackh
at
8:40 PM
1 comments
Posted by
Steel Lord
at
11:03 AM
1 comments
Labels: Indie Rock
If you're on the metal forum, these are the guys in Actumen's sig. He gave me the download link today off of his blog, so I thought I'd share this with you. It's great haunting dark ambient stuff, with female vocals.
The Patron:
http://www.mediafire.com/?0ej1jm1ungk
Lazy post, so fuck you.
Posted by
at
10:11 AM
1 comments
Labels: Ambient
Starting out at the tender age of 11, Björk has since appeared in various Icelandic pop outfits, of which The Sugarcubes gained some international acclaim. Following the break-up of The Sugarcubes, Björk has pursued a solo career which has seen her go from basic dance-pop to classical instrumentation and avant-garde experimentation. Whatever mode her music takes, however, it always carries the mark of modern pop's most singular innovator, Björk.
Posted by
at
2:19 AM
0
comments
Labels: A Cappella, Electronic, Experimental
Posted by
at
2:12 AM
0
comments
Labels: Electronic
Masonna is, if anything, more harsh than Merzbow, but his tracks tend to be shorter (Tripsy Sunshine is an exception), often being under 2 minutes in length. However, this makes the album matter more than the individual song, and as such, a Masonna album can only be described as an experience best lived through oneself. Masonna takes no prisoners.
Posted by
at
6:59 PM
0
comments
Labels: Noise
Probably Merzbow's most famous recording, and certainly the most popular that I can tell, Pulse Demon is a sumptuous exercise in harsh noise. Whereas other Merzbow recordings might feel undercomposed, or rushed, given Akita's prolific work-rate, Pulse Demon is the work of a master at ease with his talent. As always, the tracks were personally mastered by Akita above and beyond normal quality levels so as to work better at high volumes.
Posted by
at
5:57 PM
0
comments
Labels: Noise
As introduced to me by our beloved Han Wu Ti, Midori are a hardcore/punk band with a touch of jazz. Now, ignoring genre, as 'hardcore' will more than likely put you off, brave Beardians... It's more like a more reserved, non-electronic Melt Banana. It's fun, and you have a Lolicat seal of approval on it!
http://www.mediafire.com/?ytlo7x39o9z - first album
http://www.mediafire.com/?y13lvjdgjsq - second album
http://www.mediafire.com/?mpav5uymupy - third album
http://www.mediafire.com/?nmbbyhiy3o0 - fourth album
Posted by
at
1:10 PM
0
comments
Listen to this. Even David likes it.Give 'Em Enough Rope, for all of its many attributes, was essentially a holding pattern for the Clash, but the double-album London Calling is a remarkable leap forward, incorporating the punk aesthetic into rock & roll mythology and roots music. Before, the Clash had experimented with reggae, but that was no preparation for the dizzying array of styles on London Calling. There's punk and reggae, but there's also rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock; and while the record isn't tied together by a specific theme, its eclecticism and anthemic punk function as a rallying call. While many of the songs -- particularly "London Calling," "Spanish Bombs," and "The Guns of Brixton" -- are explicitly political, by acknowledging no boundaries the music itself is political and revolutionary. But it is also invigorating, rocking harder and with more purpose than most albums, let alone double albums. Over the course of the record, Joe Strummer and Mick Jones (and Paul Simonon, who wrote "The Guns of Brixton") explore their familiar themes of working-class rebellion and antiestablishment rants, but they also tie them in to old rock & roll traditions and myths, whether it's rockabilly greasers or "Stagger Lee," as well as mavericks like doomed actor Montgomery Clift. The result is a stunning statement of purpose and one of the greatest rock & roll albums ever recorded.--Review courtesy of AllMusic.com
Posted by
Steel Lord
at
8:24 AM
0
comments
Labels: Punk Rock
Look at my PUFFY, all grown up and sexy-like. Perhaps they'll never regain their girlish charm, but they're a lot more mature and sexy sounding on this album. It's a fair trade off- I don't want the police catching me, so I guess I've got to like some legal girls, eh?
The album's great, stand out tracks being the singles Boom Boom Beat and Kuchibiru Motion.
Posted by
at
9:13 AM
0
comments
Labels: J-Pop
Posted by
Steel Lord
at
8:33 AM
0
comments
Labels: Hard Rock, Heavy Metal

Posted by
Steel Lord
at
8:27 AM
0
comments
Labels: WTF?